Helen Pynor: Liquid Ground
Conceived from her research into the numerous recorded cases of accidental drowning in london’s thames river,
Australian artist Helen Pynor has created ‘Liquid Ground’, a series of large-scale photographs which capture
various water-buoyed garments expelling human organs from within its floating form. simultaneously haunting and surreal,
the unexpected injection of internal organs into an otherwise dreamy underwater scene results in a collection of images
that is arresting in both a visual and visceral manner.
Pynor explores new ways in which we can relate to our body’s makeup by rejecting the celebration of gore and horror but drawing from both personal and cultural stories. utilizing phantom forms, the notion of the human body is approached in a highly sensitive and emotional manner despite the morbidity of the subject matter.
via Design Boom
Helen Pynor gained a BSc (Hons) in Biology at Macquarie University majoring in cellular and molecular biology, a BVA at Sydney College of the Arts, The University of Sydney majoring in photography, sculpture and installation, and a PhD at Sydney College of the Arts, The University of Sydney. In her doctoral thesis, she sought the reconciliation of materialist understandings of the human body with understandings of the body as a culturally-constructed entity, a theme she continues to explore.
Pynor draws extensively from the writings of scientists as well as philosophers of biology, in addition to working with scientists in both collaborative and consultative roles. Her practice is integrally tied to a questioning of the philosophical and material status of human and non-human organisms. (via)
It’s not as hard being an adult as it was being your child.
I am no longer an agent of chaos.
A stillness and calm has come.
And as much as I try, thumb pressed firmly down,
I cannot justify my urge for control.
I am no daughter.
I am a child of light
Of wind and rain
How to Dress for Gardening
Monty Don, an English TV presenter and writer on horticulture (perhaps best known for presenting the BBC television series Gardner’s World) once wrote something for The Guardian on "dirty dressing." That is, how to dress when one needs to get some gardening done. Lots of rules are laid out here, including the things one must wear (high waisted trousers and leather boots) and sartorial no-nos (shorts and baseball caps … though, we disagree with his sentiments on the second). For me, as a guy who doesn’t garden, the best part is reading the opinion of a man who feels strongly about clothes. A long excerpt:
Over the past 30-odd years I have evolved certain rules about my wardrobe. Never wear jeans. They are absurd items of clothing - cold in winter, hot in summer, slow to dry once wet and chafe in places where chafing is not required. I have not possessed a pair for at least 20 years.
Never wear tight trousers. Always buy trousers at least one waist size too big, make sure that the pockets are big enough to comfortably hold penknife, hanky, string, phone, pencil, labels and perhaps a mint or two. The pocket thing is a matter of fine tuning. Too deep and you are rummaging around up to your elbow in them. But I have big hands and if they are too small you cannot find the knife/hanky/label and extract it without causing uncomfortable restrictions or having to let go of the object in order to extract your hand.
Lots of professional gardeners wear shorts all summer, but they always strike me as hopelessly impractical. If I am honest I also feel that, having been bought up in an age when small boys were forced to wear shorts, long trousers are a privilege that I still cling to and shorts are for sports.
Belts are needed to attach your secateurs’ holster to, to support your back when digging and to stop the size-too-large trousers ending up around your ankles when reaching up to prune the apples. Regard your belt as a piece of gardening kit and buy a really good quality, thick leather belt made by a British leather worker. It should mean business. Braces are much more comfy - especially with high-rise trousers - and I wear them most of the time.
If you are not familiar with their joys, highrise trousers are fantastically comfortable and keep your lower back warm. My children still squirm with embarrassment every time they see me in them (which is most days) but that is probably some kind of seal of approval. If you are uncertain about the required cut, check out photographs of agricultural labourers in summer (ie jacketless) circa 1880-1914. The only two fabrics I use for trousers are corduroy and cotton drill. I have two weights of the latter in identical cuts, very heavy and light. Twice as many heavy as light. You have to accept that gardening trousers get wet, muddy and stained, so need washing a lot. If they are ‘good’ they will be much loved and probably expensive, so must last the wear and tear outdoors and in the washing machine. Anyway, good trousers only start to feel right after a year or so.
Wear thick socks summer and winter, if possible of pure cotton or wool. Gardening in light shoes is a joy, but a rare one. I have a pair of handmade leather boots that I use for all digging and heavy work. These cost as much as a holiday for two in the Bahamas but were worth every penny and much preferable to a holiday. I can dig all day in them without any discomfort and they are wholly waterproof. Get a good pair of wear one as a vest in winter. Shirts are the thing. I like pull-on ones that button down to the chest. Get them big with lots of room under the armpit and long enough to cover your bum. Check that the cuffs are wide enough to easily roll up above the elbow. Cotton drill is best. A chest pocket is useful, too. It goes without saying that no gardening shirt (and no other item of clothing of mine) ever sees an iron.
A tweed jacket is really good and I have a number of old ripped ones I often wear at home. They are thornproof, warm, showerproof and have pockets. They won’t let me wear them on telly because they say it looks too patrician. I have yet to work out if that is patronising or right, but I meekly demur. I like waistcoats either waterproof or leather. The latter is by far the best thing for keeping a cold wind at bay and for protecting you from thorns. A waterproof waistcoat with pockets is ideal if it is merely damp. If it is too wet for that to be sufficient protection it is probably too wet to garden sensibly outside. Fleeces are ubiquitous and inevitable, but I wear them surprisingly little nowadays. They are best as an underlayer when it is wet. On the whole I prefer a good jersey. Cashmere is the ideal inner layer when it is really cold and you can pick them up amazingly cheaply nowadays. A thicker roll-neck jersey makes a good outer layer.
I don’t like hats very much. I have no desire to shelter from the British sun and it is rarely cold enough to need headgear. But I especially loathe baseball caps. Not only are they useless but a symbol of a kind of Disneyfied decadence. A wide-brimmed hat is much more effective and keeps the sun and rain off better. Tweed flat caps are good, but distinctly agricultural. I have a Soviet military hat that I bought off a soldier in Berlin. It is great for pruning the more viciously thorned roses.
You can read the whole thing here.
Y’all are speaking to my heart today.
Expats in Tangier
The New York Times’ Style Magazine published a feature a few months ago on Tangier, a northern Moroccan city that has long been a destination for European and American diplomats, spies, writers, and businessmen. The story focuses on the expat community there and their eccentric style. People who came to visit, and decided to never leave. An excerpt:
It’s an old story — as old as sailing and sex — yet there is always something new coming over the strait. Indeed, it may be the hunt for newness in an old port that brought them here, adventurers and outsiders — from Mark Twain and Delacroix to Yves Saint Laurent and Tennessee Williams — who merely broke the path for the uprooted of today. Deep in the Casbah and high on the slopes of Vieille Montagne, you find these people, these elegant, exotic plants who fill their days with lunch parties and gossip. They may be the harmless denizens of an old idea, doing it with style, living beyond their means but strictly within their taste. It is a painted city where ripe vegetables and aged spies litter the souks, where men of hidden consequence can always find a drink. Most of all, Tangier is a city where attention to detail is undivided, a place where you meet people just crazy for beauty.
In a large old room smelling of narcissi, Pasti sat me down and smiled through cigarette smoke. The tables around us were filled with strange shells, bones and Neolithic pottery. I looked around as he spoke and you could almost breathe the beauty: a piece of an Islamic column from Spain, an Italian Renaissance stemma, many Berber pots, pine cones and marble busts. Past a big 17th-century German armoire was a fireplace of the same period. An 18th-century Venetian screen held back a little of the evening air, which came, nonetheless, rosemary-scented and chilled. Painted Moroccan chests and side tables were dotted everywhere — “I love patina,” he said — and around the walls was a multitude of astonishing tile panels, some from Seville and Portugal and fired 200 years before the birth of Shakespeare. Pasti writes novels and makes gardens. He is both intensely sociable and extremely private. Walking from room to room in his perfect house, he seemed somewhat like a man in a fairy tale, lost in beauty, hiding behind windows in a secret garden. But then he laughed and puffed on his cigarette and seemed quite normal again. Pasti started as a literary critic and then began collecting strange fragments and rare bulbs, which he would plant in his garden in the Moroccan countryside, and also in pots at his house in Tangier. His first novel is the story of a botanical obsession. “I started collecting wild bulbs more or less 15 years ago,” he said. He sometimes sleeps outside among the plants. In some ways he considers himself to be a kind of doctor to sick plants and sees his place in the country as a kind of botanical hospital.
You can read the whole article, and view a very, very cool video feature that goes along with it, here.
Yes yes yes yes yes
You are the perfect volume.
“Ongoing project, where I use light and colored background to make plastic bags look magical. Creating a landscape within the plastic bag.Plastic bags are a huge contributor to the landfill waste, and are extremely harmful for our oceans and the creatures living there. Do not say yes to a plastic bag when shopping. These plastic bags were found in the street.”
the next time he
points out the
hair on your legs is
growing back remind
that boy your body
is not his home
he is a guest.
warn him to
Alexander McQueen Savage Beauty Exhibit at the Met Museum.
Can I just? Can we just?
No matter how much you feed the wolf, he keeps looking at the forest.